Detailed Notes on uph minang
Detailed Notes on uph minang
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Analisis permasalahan umum pementasan "movie soundtrack vs broadway musical" di conservatory of audio UPH.
Analisis preferensi perbandingan kualitas parameter akustik spektral terhadap mikrofon portabel dan konvensional.
Kanvasing design bisnis pada bisnis daring berbasis media sosial Instagram : studi kasus indomusikgram.
Analisis tingkat kepuasan mahasiswa system studi musik terhadap pembelajaran blended Discovering pada kelas instrumen piano klasik, Universitas Pelita Harapan.
[14] The procedures of centralisation ongoing under the Suharto regime. The nationwide government legislated to use the Javanese desa village procedure throughout Indonesia, and in 1983 the traditional Minangkabau nagari village models had been break up into scaled-down jorong units, thus destroying the normal village social and cultural establishments.[fifteen] During the years pursuing the downfall of the Suharto regime decentralisation guidelines were executed, supplying extra autonomy to provinces, thereby enabling West Sumatra to reinstitute the nagari technique.[sixteen] Historiography[edit]
Studi kasus penggunaan teknik therapeutic songwriting dalam terapi musik daring untuk anggota keluarga inti yang mengalami kedukaan akibat covid-19.
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Analisis perbandingan terhadap iringan piano Rely Basie di dalam mengiringi large band dan penyanyi pada lagu shiny stockings.
Studi kasus penggunaan intervensi therapeutic songwriting dalam terapi musik on line terhadap remaja yang melakukan self-damage.
Efektivitas terapi musik sebagai metode manajemen kemarahan pada mahasiswa universitas pelita harapan.
Terapi uphiminang.com musik untuk mengoptimalkan kemampuan berhitung pada siswa diskalkulia = Music therapy to improve the ability of relying on university student with dyscalculia.
Analisis preferensi responden terhadap metode perekaman coincidental stereo dan in close proximity to-coincidental stereo dalam perekaman aransemen lagu "new policies" oleh Voxcom Acapella.
Assessing the value of Erik Satie and his trois gymnopédies in the development of twentieth century piano new music.
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